The path
Akass Fakir walking along Teesta river. On the other side : Bangladesh. December 2011 © Edith
Noor Alam and his bike, a visit to a friend, December 2011 © Edith
Noor Alam at home, morning time, January 2012 © Edith
Arjun Khyapa's wife, January 2012 © Edith
Arjun Khyapa's house, December 2011 © Edith
Akass Fakir & Armaan Fakir on the road from Krishnanagar, coming from a mela, December 2011 © Edith
Armaan Fakir at his ashram © Edith
Armaan Fakir singing at Jalangi mela © Edith
Mansur Fakir at a sadhu sengho © Edith
Babu Fakir at a sadhu sengho © Edith
Akass Fakir at a mela © Edith
Akass Fakir late at night in winter © Edith
Amirul Fakir, first encounter, first sight © Edith
Amirul Fakir at home, an inspired morning © Edith
Successful Noor Alam at Jalangi mela © Edith
Noor Alam at Arjunda's bamboo house © Edith
Arjun Khyapa © JANE ROWAN
Arjun Khyapa at home listening to himself after a recording © Edith
Arjun Khyapa © Edith
Shyam Khyapa © JANE ROWAN
Mohan Pato (flute), Sibshankar (dhol/khol) and Shyam Khyapa © JANE ROWAN
Arjun Khyapa, Babu Fakir and Mohan Pato © JANE ROWAN
"Neverending music", late after dusk...
Chai making at dawn © Edith
Khaibar Fakir & Shyam Khyapa during Holi times, portrayed by Jane © JANE ROWAN
Jaydev Kenduli Mela in Birbhum district, January 2012 © Edith
The Jaydeva Kenduli Baul Mela is organized in memory of that auspicious day of Jayadev’s bath at Kadaambokhandi ghat on the occasion of Poush Sankranti or Makar Sankranti and the start of the fair commemorates the day on which Jayadev is claimed to have taken the bath at the Ajay River, and Padmavati saw Krishna in physical form. (...) The most beautiful part of the Mela is undoubtedly the Baul songs that go on overnight in different Akhras. It is for this reason alone that Jaydeva Kenduli Baul Mela has become one of the important centres of Folk Culture in Bengal, nay, in the whole world – indeed, a unique blending of religion, music, songs, poetry, folk lore, and livelihood. More